Photoshop



Welcome to the PHOTOSHOP Tutorial page.

Back to ESP Creative Services

     
Drawing a straight line New! The Control StripThe Fill Command Intro to Layers New! Keyboard & General Shortcuts
Resizing images for email & the web
New! The Tool Bar (Frames based page)


Perspective control
Auto LevelsDesign a Wine LabelCreate wood textures Create a planet in spacePulling out the shadows
Element removal/hand colouring • Creating text out of an image
Enhancing the drama Day to nightOptimizing an image
Create a Movie Poster The Digital Location Studio. New!Converting to Mono New!
Correcting under-exposure NewHollywood style glow New! UWA Extensions folderOptimising with the Highlight/Shadow command New!
All images © Jon Davison 2007.
All tutorials created with Photoshop 7, CS and CS2.

Current Photoshop courses for 2007, with Jon Davison at the Futuresphere, Perth, Western Australia

Apart from being a digital darkroom, Photoshop has a wealth of other
features that allow you to handle a wide spectrum of visual elements.


Introduction to Layers
Just what is a layer and how do I make one?



The Digital LocationStudio
Here we have created a studio setting from two 'live' images
taken on a grey rainy day and transformed them into this.
Go to this tutorial



Movie Poster
Here are two typical Movie posters, using blended faces
and text to create a time and place.


Photoshop Photoshop
Go to the River tutorial vvvvvvvClick Musicman for a larger version

Design for print


Photoshop gives you the ability, due to its
layers, to create any form of printed promotional
material. The wine label (left) was built using ten
layers, whilst the flyer (right) used eight layers.



All work destined for commercial offset print must be converted
to CMYK and not RGB. This is a breeze in Photoshop.



Illustration

Pixel based imagery can be created quite
easily in Photoshop, such as this illustration
(below) of 'Lifecycle'. This was created
entirely in Photoshop with no scanning of
any elements whatsoever.



This image is the result of about 30 layers, including
layer effects such as the embossing on the leaves
and the sun.

Jon Davison
Creating imaginary scenarios. A Saturn like planet, seen from
one of her habitable moons. Go to this tutorial


Element Removal -
Covering unwanted bits

Don't care for the overhead cables or other elements
in your image? well remove them. With layers you can
seamlessly remove or cover any element you do not
wish to include in your composition.




This image was a simple job with only three layers.
Rather than use the clone tool, I copied a piece of
the sky and roof and placed it over the power-pole.
I copied the fence to cover the pole that was visible
through the car window, then added colour.


Go to this tutorial.



Cleaning or Optimizing - Getting the best from your images

Here is an image taken inside an aircraft. The balance of
tones are wrong, which in turn affects the colours.




Go to this tutorial.


Fantasy: Images from your imagination!





Cross platform usewith Mac/IBM PC's

I have created these tutorials on a Mac G4/G5 and all the screen
captures reflect this. There is little difference though in using
Photoshop on both platforms. Just in case I may have slipped up
from time-to-time in my accuracy, please remember to check these.

MAC = Command, Option, Delete.
IBM/PC = Control, Alt, Backspace.
 

To simplify this, all commands using Control (PC) or Command
(Mac) will be addressed as; 'Co'. For example. if we
wish to perform a Cut, it will be 'Co - X' for both platforms.



 

Converting a colour image to Mono
The various options.

Calculation method


Greyscale option, plus others

Creating that Hollywood glow
Using Blend Modes to soften a portrait


\

Noise & blur- creating textures

Here we have a wooden surface Revised with a raised text effect.
No scanning here! this is a classic example of what photshop
can do, be it wood, metal or plastic etc.

Photoshop


Day to night - creating scenarios with one image

Here is an example of what you can do with just one original image.
We needed to have one image that merged with another to show the
change from sunset to night, including the street lights going on.



Step one was to duplicate the sunset plate, then desaturate it
and turn it blue. Inbetween these two images I placed a yellow
and red layer. Finally I cut out the windows in the sunset image
to reveal the coloured layers beneath. GO TO THIS TUTORIAL

Jon Davison

Auto Levels - Cleaning up colours

The image on the left is how the film recorded the information.
The overall cast is the scattering of blue from the sky, green
from nearby trees etc. The image on the right is with Auto Levels
activated. With one click it removes all the unwanted casts and
lets you see the image as originaly percieved.



The lower version has been 'cleaned' in a digital environment.
This removes unwanted casts and allows you to see the image
that you actually saw. The film 'sees' more than you can.

Creating text from an image

How to copy from an image, with a text attribute, to give stunning
text effects.


Go to this page


Adding elements- Enhancing your image

So your agency likes the pic of rural New Zealand, "But where
the heck are the Sheep?"
they say.


Okay, so you go to your picture resource and you find some. So
now we have Sheep.



Composites - Creating historical scenarios

Here we have Lancaster bombers over a burning city during WW2.
Not only is this a composite from nine elements but the aircraft are
all plastic models - 20cm long. See more of these.

Jon Davison photography
Click to see more digital Lancaters in action


Architectural drawings - Adding depth to flat art

Architectural drawings can be enhanced simply by giving a 3D feel
by adding shadows etc that give the illusion of depth.





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